Cyber PR is Expanding: Authors & Filmmakers! From: Ariel Publicity [bandletter_at_arielpublicity_dot_com]
Sent: 14 April 2010 16:03
Subject: Pre-Cleared & Podsafe: Music Reviewers Needed for ReviewYou.com
Ariel Publicity Band Letter
Ariel Publicity Band Letter Ariel Publicity Band Letter Ariel Publicity Band Letter Ariel Publicity Band Letter

April 14, 2010

 

Newsletter #140

Hello from Ariel!

In This Week's Issue:

  1. Need music reviewers for ReviewYou.com
  2. Where’s Ariel?
  3. THIS WEEK’S FEATURED ARTIST: Shawn Fisher / The Roast Beef Curtains
  4. THIS WEEK'S FEATURED RESOURCES: A BLOG, A PODCAST, & A STATION
  5. Featured Interview: Scott Smith of Megaphone

 


Need music reviewers for ReviewYou.com!

ReviewYou.com is looking for seasoned music review writers to join our staff.  If you've got excellent chops, a sharp perspective, and want to make some cash for doing what you love (writing about music), email of the following items in one email to ReviewYou Editor Phil Putnam (phil_at_arielpublicity_dot_com):

-A few lines about who you are and what makes you tick
-The genres of music you write about
-Links to your blog/podcast, if you're a blogger or podcaster
-3 album reviews you've written

Thanks for your interest!

 


Where's Ariel?

April 22-24 2010 - "I Create Music" EXPO - Los Angeles, CA

Ariel will be speaking on the Social Media panel, you can buy tickets here: http://www.ascap.com/eventsawards/events/expo/2010/registration.aspx

Launched in 2006, the ASCAP "I Create Music" EXPO is the first and only national conference dedicated to songwriting and composing. Selling out in its inaugural year, the EXPO immediately provided a unique opportunity for songwriters, composers, publishers, producers - and those in the industry that support them - to come together in an unprecedented way to share their knowledge and expertise. In its short history, the innovative programming offered to attendees has grown to include celebrity Q&A's, master classes, songwriting and composing workshops, publisher and business panels, One-on-One sessions, DIY career building workshops, showcases and performances, song feedback panels, state-of-the-art technology demos as well as leading music industry exhibitors.


THIS WEEK'S FEATURED ARTISTS: Shawn Fisher / The Roast Beef Curtains

Shawn Fisher
http://arielpublicity.net/clients/2700

Shawn Fisher will be playing 2010 Lollapalooza – August 6-8, 2010 http://2010.lollapalooza.com/

“When I started to write my own songs, I tried to just take in everything I heard and learn from it,â€ð says Shawn Fisher. “It wasn’t until a few years later that I really began to figure out my own way of saying things.â€ð And these days, judging by the rabid reactions of the crowds that buy Shawn’s music and pack the shows by him and his back-up band the Jukebox Gypsies, the 21-year-old singer-songwriter’s way of saying things is one that a lot of people are crazy about.

The Roast Beef Curtains
http://arielpublicity.net/clients/2736

The Roast Beef Curtains will be playing Bonaroo 2010 - June 10 - June 13

Inspired by tight reggae rhythm sections & thrashing punk bands, Three Hofstra University graduates birthed The Roast Beef Curtains. Taking a DIY approach, Andrew, John, & Mike evolved The RBC into the best live reggae, dub, & punk experience on Long Island.


THIS WEEK'S FEATURED RESOURCES: A BLOG, A PODCAST, & A STATION

Featured Blog:
Knox Road

http://www.knoxroad.com

Knox Road is based out of Washington D.C. and New York City. Please leave comments, give feedback, and most of all, support the music.
 

Featured Podcast:
Bucket Remix

http://bucketremix.com/

The 2007 Podcast Awards-nominee for Best Comedy Podcast returns from its two-year slumber with new co-hosts and attitude. Recorded weekly from the shores of Connecticut.

Featured Internet Radio:
Indie Music Sampler Radio

http://www.indiemusicsampler.com/

A former DJ/musician from Portland, Oregon presents samples of independent music for all to enjoy. The show is primarily centered around Pop, with a touch of blues, rock, and folk.
 



Featured Interview: Scott Smith of Megaphone

For the hard rock quartet Megaphone, the mission has been simple: Saving rock n’ roll from the machine, and bringing it back to where it should be – loud, catchy and in your face. It's obvious they’re succeeding with that mission due to a huge draw in their native Orlando, Florida, extensive radio play, and gigs opening for arena headliners and festival appearances. With their new album, Exit Silent Mode, filled to the brim with unforgettable hooks, melodies and songs, Megaphone is poised to take everything about their band to the next level.

The following is an interview on Megaphone's experience of getting their music onto the infamous Rock Band game.

Q) How did you get involved in the Rock Band project?

A) I read the video game blog Joystiq pretty much every day. One day I read a post mentioning the Rock Band Network and I was blown away. I had to re-read it just to make sure I understood what I was looking at. I couldn’t believe that just anyone could download these tools and get their songs into the game. I told the guys in the band about it and there wasn’t even a question of whether or not we should get involved.
 
Q) How did you get your songs onto the Network?

A) I got the software license and Creators Club membership and dove right in. Fortunately, I had a small amount of MIDI experience from college so I was somewhat familiar with how the software worked. Beyond that, it was just a matter of making the tracks good enough that the RBN community gave them a thumbs up. It was a long process because I was still learning but it got easier as it went along.
 
Q) How hard was it to program the different instruments?

A) The easiest instrument to do is the drum track. You start with the expert difficulty and basically chart out exactly what is played. There are some fills that you have to adapt to the controller, but otherwise it’s quite literal. The bass is a little more difficult because you have to adapt twenty-something frets with four (or five) strings to five buttons and still keep a sense of movement. Guitar gets harder because you start to incorporate chords and solos with string bends. Vocals are probably the hardest and most tedious, but you’ll have to trust me on that. The explanation would be too long and boring!
 
Q) How did you use social networking to get exposure to your songs?

A) The biggest problem we’ve found while trying to promote this whole thing is trying to get the word out beyond our usual fan base. The cross-section of people who follow us and people who have an Xbox 360, Rock Band 2, and an Xbox Live account is probably pretty slim. We did an interview recently with  RockBandAide.com which is a popular blog that covers all the aspects of the game so we’re looking to do more things like that to reach people who otherwise wouldn’t have heard of us.
 
Q) What are some of the ways you are involving Rock Band into your normal marketing outreach?

A) It’s a huge deal for us so we’re including it in just about everything we do. We just printed posters for our slot at the Florida Music Festival and a good portion of the poster lets people know that they can download our tracks in Rock Band 2. The game’s logo is an eye-catcher to anyone who’s familiar with it so we’re trying to put it everywhere we can.

Q) What sort of advice do you have for a band trying to get on the Network?

A) If you’re going to try and do it yourself, just be patient. Once you get your song up for testing, listen to  feedback and don’t take it personally. It’s easy to get defensive of your work when someone tells you something should be changed, but in most cases, the community knows best.

If you don’t want to do it yourself, there are a bunch of authoring companies that will do it for you (including my own, littlecowdog.com). There’s a list of them in the RockBand.com forums so check it out.

Q) What do you think is the biggest advantage of being on the Rock Band Network?

A) This is the widest reach we’ve ever had. People in Spain, Italy, Germany, France, and a bunch of other countries are downloading our tracks. These are people that would have had no idea who we were if it weren’t for this Network. The cool thing is, if people are afraid to purchase our tracks, they can download the first minute as a demo for free. Even though we don’t make any money from it, that’s even more people that have heard our music and seen our name and album covers.

Q) What has been your favorite part of this whole process?

A) The first time I tested one of our songs on my Xbox, I was floored. It was so awesome to see what I had  done come to life on my TV and to see the animated characters rocking out to our song. Then seeing the sales statistics and seeing all those countries that had people downloading our songs...the whole thing is just amazing.

Q) How do you feel about walking into a bar to find a random patron nailing your part of a song/ absolutely failing?

A) Last I checked, I was ranked 16th on the leaderboards for expert drums in our song “Gravitate.â€ð That means that 15 other people around the world have scored higher on my own drum part than myself! I think I’d rather see people fail miserably for the sake of job security...

Seriously though, I think it’s awesome that people can master our individual parts in this game. This is a level of interactivity that has never been achieved before, especially for independent bands. People get to know your songs so much better than they ever could before.

Q) What has been the biggest effect the release of your songs has had?

A) I think, overall, interest in our band has grown. I wrote an email to the music writer at the Orlando Sentinel about it and he called me within an hour to let me know he was going to include it in his column. It’s just another feather in our cap...like opening for AC/DC, it’s something that people ask, “How did you do that?!â€ð

Megaphone will be playing at the Florida Music Festival on April 23rd. Don't miss out!


ABOUT US

Ariel Hyatt is the founder of Ariel Publicity & Cyber PR, a digital public relations firm that connects clients to the new media including blogs, podcasts, Internet radio stations and social networking sites. Over the past 13 years she has represented over 1,435 musicians and bands.

Educating musicians is her passion and several times a year, she leads workshops teaching her strategy of combining social networking with Internet marketing to help clients grow larger fanbases and earn more money.

The Second Edition of Music Success in Nine Weeks is now available and has helped hundreds of musicians navigate the new music marketing landscape. "Sound Advice," her bi-weekly ezine and Internet TV series currently reaches an audience of over 20,000 music professionals. She is a contributing blogger for Music Think Tank, and Know The Music Biz.

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389 12th Street
Brooklyn, NY 11215
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